I wrote this essay for a Comedy Film class during the Spring Semester 2008.
A
“fish out of water” situation is the comic base for this film. The characters of Giselle, Prince Edward,
Nathaniel, and even a chipmunk named Pip, are from a fairy tale land named
Andalasia. They begin in an animated
world but through the evil designs of Queen Narissa (Susan Sarandon), they
become mortal and end up in a world of reality: New York City. The situation creates a comic climate on two
levels. First, humorous situations arise
from the innocence of the characters in a land so foreign to their usual
existence, and second, references to animated films add amusing sparks
throughout the film.
Giselle (Amy Adams) does not
understand the reputation of New York City, and her innocence creates several
funny situations; for instance, when Giselle becomes mortal (through trickery
of the evil queen), she frantically scampers around in a huge wedding dress,
trying to make sense of her situation. Cold and afraid, she approaches a homeless old man on the sidewalk and
pleads for a smile and kind word to lift her spirits. He gives a toothless grin then grabs her
tiara and runs off. Later, when Robert (Patrick Dempsey) and his daughter discover Giselle, she tells them, “Nobody has been very nice
to me.” Robert responds sarcastically,
“Yeah, well, welcome to New York.” She
brightens tremendously and answers in all sincerity, “Thank you!”
Prince Edward (James Marsden) demonstrates a “you ain’t from around here” situation when he attacks a bus,
thinking a monster entrapped the people. He stabs a sword through the top of the bus (barely missing a passenger
below) as he shouts, “You’ve met your match, you foul bellowing beast!” Then he tells the passengers, “The steel
beast is dead peasants! I’ve set you all
free!” Of course, the only real danger
he needed to worry about was the irate bus driver. She was not grateful or understanding of his
supposed heroic actions, and storms off the bus to confront him. Another wonderful “fish out of water” moment
is when Prince Edward searches for Giselle in an apartment building, knocking
on door after door. An obviously
pregnant woman surrounded by small children answers a door, and seeing
the "Prince Charming" attire, she sighs, "You're too late."
Another level of
comedy stems from the references, or homage, to Disney animated films. “Examples of homages in a film are the
inclusion of part of an earlier film, a re-creation of parts of it, or a
respectful imitation of aspects of an earlier film” (Phillips 632). For instance, consider the reference to Snow White and the Seven Dwarfs: when Giselle wanders the streets in her
wedding gown, she approaches a corner and suddenly a disgruntled little person
scrambles out from beneath her skirts muttering, “Hey! Watch it, will ya?” Giselle, thinking he is a familiar dwarf,
responds, “Grumpy!” He looks at her,
“Geez, lady! Are you for real?” To which she answers, “I-I think so.” Then in a later scene she tells
Robert she needs to “find a place to rest my head for the night,” like a
“nearby meadow or a hollow tree.” He
questions, “A hollow tree?” She answers,
“Or a house full of dwarves. I hear
they’re very hospitable,” giving yet another reference to Snow White.
There
are many examples of homage throughout the film. For instance, Robert lets Giselle rest on his
couch. When she awakens in the morning
and realizes his apartment needs tidying, she enlists the help of small
creatures. She leans out the window and warbles a melody similar to Sleeping
Beauty. The audience expects the
typical fairy tale animals of bluebirds, squirrels, and bunnies to respond—or
perhaps no response at all since she is in a mortal world—but instead,
creatures of the big city come to her aid: pigeons, rats, and cockroaches. And, tipping the hat to Cinderella,
the creatures help her make clothing. Of
course Robert does not appreciate the huge dress-shaped hole cut out of his
drapes.
Other
references to animated films are more subtle, like having Jodi Benson—the voice for
Ariel in The Little Mermaid—play the part of Sam, the receptionist at Robert’s
office. In addition, while Robert talks
with Sam, Giselle looks at fish in an aquarium while music from The Little Mermaid plays softly in the
background. Late in the film, Robert
attends a ball wearing a costume similar to the Beast in Beauty and the Beast, providing another subtle reference.
Having
characters come from an animated world into the real world gives plenty of
material for “fish out of water” comic scenes. Add the nods to other Disney films in the mix and Enchanted has the audience swimming in laughter.
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